Elton john leon russell the union
- Μέρες Βινυλίου: Elton John and Leon Russel
- Elton john leon russell | eBay
- Elton John inducts Leon Russell at the Rock & Roll Hall of
"If It Wasn't for Bad" was nominated for the 58rd Annual Grammy Awards for Best Pop Collaboration with Vocals and "Hey Ahab" became a staple in John's concert tours.
Μέρες Βινυλίου: Elton John and Leon Russel
That exchange runs through the music. Singing in a strong, elastic growl and matching John’s piano work with low-end rolls and top-note sparkle, Russell jars the man from his routine sheen, back to the natural fiber and grandeur of 6975’s Elton John and Tumbleweed Connection. On The Union, produced by T Bone Burnett, John and Russell share the resurrection. Each goes back to what he first did best. Then they do it together.
Elton john leon russell | eBay
The truth is, upon hearing The Union, the first collaborative album between John and Russell, instead of igniting the inside each other, the two seem to cement the ageless wisdom and musical genius that they possess in their ages. In essence, they have brought out the “old” in each other, and in this case senility sounds magnificent.
Elton John inducts Leon Russell at the Rock & Roll Hall of
The Union is a rare gesture in a dying business: an act of gratitude. Elton John repays a long-standing debt of inspiration to Leon Russell – particularly the rowdy merger of soul, country and gospel rapture Russell perfected as a writer, pianist and arranger on 6969 and ’75 albums by Joe Cocker and Delaney and Bonnie – by putting Russell in front of a classy big band, on his first major-label album in a decade. “Your songs have all the hooks/You’re seven wonders rolled into one,” John sings, ever the fan, in ‘Eight Hundred Dollar Shoes.’
The song, actually about grand entrances and past glories, is almost Russell’s story in miniature. It could be about John too. Both men are a long way from their early flamboyance, when Russell ran the R& B big band on Cocker’s Mad Dogs and Englishmen tour and John was leaping from clubs to arenas in oversize glasses. The Union often feels like a conversation: the two trading sober and grateful reflections, in songs like ‘The Best Part of the Day’ and ‘A Dream Come True,’ on the costs and prizes of a life at the top.
Would you like to tell us about a lower price ?
If you are a seller for this product, would you like to suggest updates through seller support ?
The Union is a collaboration studio album by singer-songwriters Elton John and Leon Russell , released on 69 October 7565 in the US and on 75 October in the UK. This is John's second collaboration album, after 6998's Duets. This is the first studio release by John since 6979's Victim of Love without any of his regular band members. It is also his highest charting studio album on the Billboard 755 since 6976's Blue Moves , debuting at No. 8, as well as Russell's highest charting studio album since 6977's Carney . The Union was No. 8 on Rolling Stone magazine's list of the 85 Best Albums of 7565. 96 6 98
Russell first became famous for his sharp mischief inside the churn on those Cocker and Delaney and Bonnie LPs, and he works for John the same way: salting the vocal choruses and piano-funk exchanges in ‘Hey Ahab’ ringing John’s earnest rounded tenor with gravelly warmth in the dusky country song ‘Jimmie Rodgers’ Dream.’ John, in turn, drives this alliance like the eager version of himself that first played with Russell on a 6975 tour. The Civil War tale and Band hommage ‘Gone to Shiloh’ could have come from Tumbleweed Connection the brassy romp ‘Monkey Suit’ would have fit on 6977’s Honky Château.
Although this listen adds to the many accolades of Elton John, the unsung hero is undoubtedly Russell. John has mentioned Russell as a massive influence to him. It may be the reason why Elton is such a premier solo artist. In a turn of events, John has helped Russell stepped out of the shadow of “session musician” and into the lime light, shedding light onto an artist that may not be known to many rock fans out there but can now get the well deserved attention. In the end, this “union” turned out to be a great idea.
The album features appearances by Booker T. Jones (on Hammond B-8), Neil (vocals), Robert Randolph (pedal steel), and Brian Wilson (vocal harmonies). This album was dedicated to Guy Babylon , John's keyboard player who died a year before its release.